What an incredible evening. I am really finding myself to be quite possibly the luckiest writer on the circuit. After arriving in the city, I hung around Greenwich Village and visited the old haunts of my grandparents and great-grandparents at 463 Hudson Street, the saloon that was in my family from 1906 to the late 1970s. A bit nervous about the reading, I had a few drinks while listening to some city workers and off-duty firemen grumble and bluff with thick accents and hearty laughs.

It’s called Barrow Street Pub now and it’s just a few blocks down from the Barrow Street Theatre where the reading was to take place. The bar is close to the water on Hudson and Barrow where the old longshoremen of New York City used to hand over their paychecks to my great-grandfather behind the bar back during the times when Light of the Diddicoy takes place, 1915 and 1916. Later in the week, the longshoremen’s wives would come to the bar for the rest of the money. My great-grandfather Thomas Lynch, his wife Honora Lynch (nee Kelly) and their six children resided in traditional fashion, upstairs from the saloon.

I often visit the old place, which is still kind of rough around the edges. As mentioned, I had a few butterflies to kill and felt a little better after a drink or two and some texting with close friends and family.

When I walked into the Barrow Street Theatre an hour before the reading was to start, I saw Malachy McCourt up on stage with his cane. His command of the English language still at its peak and the charm of an old storyteller has settled in him nicely. I climbed up to be with him and after listening to him, the butterflies had disappeared entirely.

“Do you ever get nervous, Malachy? Before going on stage?” I asked.

“Well Eamon, no matther what happens, time will still pass. All these people here,” he pointed at the crowd while speaking in his wonderful brogue. “They’re here for a good time, my bhoy. Are they not? Life will end whether we want it to or not, so we all just need a little joy, don’t we?”

“Yeah, we sure do,” said I.

I couldn’t have asked a better man for advice as he has seen and done just about everything a man of the stage could do during his time. On and off Broadway, Hollywood movie roles, a regular on Johnny Carson, a saloon owner himself and author of the rollickingly hilarious A Monk Swimming, one of my all-time favorite books told in his own voice, which is to say the oral tradition of the Irish.

Just as I was to be called to the podium, Mr. McCourt and I began conversing on the story of the surname and adjective “Lynch.”

“Americans want to own everything,” Malachy says with a smile. “They can’t have Lynch though. I’ve often heard of Americans telling the story of some chap in Lynchburg, Virginia having originated the term “Lynch” as in hanging from a tree. ‘Tis not the case, Eamon.”

It was here that I ached to interrupt him and tell the story myself as I am well aware of the ancient version. But realizing it’d be better to hear him say it, I kept my gob shut and my ears opened.

“It comes from a Mayor named Lynch in County Galway who was forced the hang his own son, which was the penalty for murder for which his son had most certainly committed. I heard this story as a young boy in Limerick and it always stuck with me, Eamon.”

I only smiled and confirmed that I too knew the story, having read it on the wall of the lobby of Lynches Castle in County Galway years ago (Lynches Castle is now a bank, or was at least when I was there).

After the show, I was humbled by the compliments that came pouring in, but a good literary friend who runs a blog and knows quite a few things about book publicizing said that he was glad to see Light of the Diddicoy getting the right kind attention.

And for that, I must thank Peter Carlaftes and Kat Georges of Three Rooms Press. I can’t seem to put into words the appreciation I have for all they have done for Light of the Diddicoy. “I see too many people doing it the wrong way,” the friend said. “You guys are really doing a great job getting the word out in a positive and dignified manner.”

Mr. Malachy McCourt as well, I must thank too. He has been a wonderful supporter both on WBAI Radio-NYC with me earlier in the week and reading from the book at the Barrow Street Theatre.

Also, I need to truly thank Richard Vetere and Israel Horovitz, because if it wasn’t for them the 200-seat theatre would hardly have been as filled as it was.

Mr. Vetere’s book, The Writers Afterlife (also from Three Rooms Press) is a smart and fun read, from what I’ve heard so far.

Thanks also to everyone who came and supported us and bought me Guinness at the old Lions Head bar (now called A Kettle of Fish) at the after party.